If You Like [The Sixties]
The new music recommendation formula returns with a look back at a decade that brought us more than just Beatlemania and Folk revival. Tune in for modern Motown, martini lounge, Yé-yé, and more.
New Bands for Old(er) Heads
Previously on If You Like [X], I served up a themeless charcuterie board of frequent requests. That means while there was no unifying genre, the left side of the equation was filled entirely with artists who were popular amongst ‘90s-era youths.
This time, we’re going a little bit sideways and a whole lot backwards.
First, I’m focusing on entire (sub)genres, rather than specific bands.
Second, I am briefly ditching the decades of (most of) our teenage years and going fully rogue into the 1960s.
Third, since I’ve already made an offering to the gatekeepers of Classic Rock with an entire playlist of new music influenced by bands like the Beatles, the Beach Boys, and the Rolling Stones, I just don’t feel like hanging out with those guys again so soon.
Instead of the usual suspects, I wanted to poke at a few genres that too often get a bad rep as kitschy or even costumey1. So in lieu of sunshine pop, power pop, psychedelia, or even proto-punk, I’d like to talk about girl groups, surf rock, yé-yé, and yes, martini lounge music.
Seeing as we’ve moved away from target audience territory, I’ll give the tiniest of introductory examples to orient you after each one in case you need a refresher.
This isn’t a music history lesson, and I can’t promise that sharing the new music you find here will charm dinner party hosts into handing you the aux (though that’s always at least partially my intent). But I do promise if you take the time to listen, you won’t just get a better appreciation for how these new bands have built off their predecessors, but also how all of the musical genres feed into each other.
Isn’t music discovery fun?
Let’s boogie!
(Psst — paid subscribers, stay tuned for the playlist and a record giveaway of one of my recommendations below in an upcoming post.)
If you like Motown
Motown is a genre of Detroit soul music from the ‘50s and ‘60s, but it technically refers to a record label, and people get pretty snippy if you miscategorize. That is, it’s all well and good if you call real Motown by its name (think the Temptations, the Four Tops, Jackson 5), but God help you if you accidentally say Al Green was Motown.
try:
Thee Sacred Souls: Coming in hot right away with an off-brand recommendation, because Thee Sacred Souls (and their excellent new record) aren’t strictly Motown, but blended with Chicano soul, doo-wop, and R&B.
Aaron Frazer: Sure, maybe it’s more Northern soul than Motown, but the influence of Smokey Robinson & the Miracles is everywhere, from the vocals to the hooks.
Pete Josef: A clear devotee of both Marvin Gaye and Stevie Wonder, Josef brings a little social consciousness to his soulful sound.
If you like Girl Groups
I thought about making this a sub-genre of Motown, since most of the better-known acts (The Supremes, The Shirelles, The Ronettes), were part of Berry Gordy’s Motown roster. But one of the most influential groups, the Shangri-Las, was not, so I’ll leave it vague.
try:
Shannon & the Clams: Dan Auerbach (of Black Keys fame) produced this rockabilly/garage rock revival, and he’s yet to lead me astray.
The Courettes: These Danish garage rockers are clearly having a blast on their invitingly schtick-y new release The Soul of the Fabulous Courettes, which is enough of an era-nod even before you see the cover or listen to the music!
SAULT: A cheater’s pick, sure, because the disco and R&B elements muscle in for top billing, but I dare you not to be enchanted by the very concept of a mysterious soul music collective, whatever the influences.
If you like Space Age Pop
If the Mid-Century Modern decor had a soundtrack (and arguably, it did!) it would be space age pop. This was the Wii shopping channel music of the 1950s and ‘60s, the sort of thing you imagine hearing on those strange futuristic appliance advertisements, or perhaps in sitcom or cartoon soundtracks of the era.
try:
Pearl & the Oysters: Somewhere between drinking martinis with Henry Mancini and rolling up stars in Katamari Damacy is vibing with Pearl & the Oysters, hopefully on some flavor of vinyl furniture.
Chinese American Bear: Playful and quirky, this group might seem more twee than lounge, more Deerhoof than Esquivel, but all the cartoonish elements of both are there.
Vanishing Twin: Alright, I’m just shamelessly shoehorning in Stereolab successors at this point, but the ‘90s saw a little space age pop resurgence that Vanishing Twin pays delightful homage to.
If you like Surf Rock
This probably needs the least amount of explanation, but just in case - traditional surf rock came before the Beach Boys and was chiefly instrumental, reverb-heavy, and meant to mimic the sway of ocean waves (Miserlou and Wipe Out come to mind first). Many elements were borrowed from Mexican and Middle Eastern music, as well.
try:
The Surfrajettes: "Just a bunch of ‘60s instrumental surf music” that doesn’t “appeal to anybody besides horny straight guys,” proclaims one outraged Redditor. Aside from the song below, I’ll present their ingenious instrumental interpretation of Britney Spears’ “Toxic” as evidence to the contrary.
The Garrys: Three indie rock sisters singing close harmonies might give you instant thoughts of HAIM, but think twice: these are haunting tremolo guitars with a healthy dose of spaghetti western.
Los Bitchos: Possibly pushing it into the ‘70s (as I’m wont to do), Los Bitchos’ brand of surf leans heavily into cumbia. Just as well suited to the often tropical or Latin American inspired space age pop up above!
If you like Yé-yé
The French reaction to the British invasion and their constant “yeah yeah yeah”s, yé-yé was characterized mainly by teenage heartthrobs singing French covers of popular British or American pop songs, or tongue-in-cheek, often suggestive lyrics set to innocent, childlike melodies. The so-called “Yé-yé girls” (Françoise Hardy, Sylvie Vartan, France Gall, Jane Birkin) were fashion icons and “It” girls as much as they were pop stars.
try:
Fleur: This particular photorealistic yé-yé starts with mimicry of a (sadly still too common) old formula: established male songwriter makes charming music for pretty female ingenue. Here, Floor Elman does her best France Gall to Mark ten Hoor’s Serge Gainsbourg.
KCIDY: A bit more modern and experimental, KCIDY sits somewhere between ‘60s French pop and ‘80s Japanese city pop2 (though certainly much closer to the former).
Juniore: I’ve saved the best for last, I fear. In the swinging bachelor pad that plays every single one of the genres and artists you’ve seen on this list (okay, maybe setting Motown aside), Juniore feels the most at home. Spacey psychedelia, grungy garage riffs, surf rock tremolo, soft reverby French vocals, lilting cocktail-hour rhythms… yé-yé’s influences and evolution are all laid out in one band. And if you’d rather skip the booze, this one makes for the perfect accompaniment to long walks through crisp leaves in oddly warm October weather.
That’s it… for now!
I’m not sure where the next edition of If You Like [X] will take us, but I’ll try to revert back to a band focus over genres. I have a feeling that was the far preferable format.
Let me know what you liked best this time around.
xo
Gabbie
P.S. Paid subscribers — stay tuned for a playlist of these picks, plus yet another record giveaway for my favorite record out of this bunch.
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Just in time for Halloween, right?
Shibuya kei deserves its own little dive.
I saw The Surfrajettes open for Rev Horton Heat in Toronto this summer and I was in love 🥰
Wow, some real excellence here! A bunch of new artists for me and I loved what I heard from Shannon and the Clams, Courettes and Pete Josef. I’ve long been a fan of Thee Sacred Souls but didn’t know they had a new album so thanks for putting it on my radar!
If you haven’t heard it I’d highly recommend the 2021 compilation Penrose Records Vol. 1. It’s the first time I ever heard of Thee Sacred Souls and the entire compilation shares the same dna. Also Curtis Harding and The Monophonics very much capture that Motown vibe for me.